Review-1

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Rodrigo Ramírez Rodríguez at Bodega OMR

Reflections from the Screen

Editors’ Selects: December 2025

Dancing Outside Time

Self-Portraiture and the Opacity of Class

The Prefix to Shatter

Adversarial Networks: on Joseph Nechvatal

Katherine Williams

“Rubber, Rubber”: A Surrealist Fever Dream

Yasmeen Abdallah

The Political Potential of the One-Liner

Max Kruger-Dull

Carla Stellweg’s “Artes Visuales”

Nicolas Poblete

THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone

What Comes After the Real

Project III x Embodied Earth: PULSE

Standouts at the 2025 Performa Biennial

Theaster Gates’s Harvest Season in Chicago

On Being Shit and Loving Dick

Violence Upended

Salvation and Care in Clay

Reflections on Proximity

Reclaiming the Fantastic at the Studio Museum in Harlem

An Antidote to Art Cynicism

Nicolas Poblete

An Ode to Waste

Yonatan Eshban-Laderman

Abbott Stillman: A View to the Far Horizon

Sound as Body: Coco Klockner

Jonah James Romm

Review: “The Time It Takes to See”

Editors’ Selects: November 2025

Art Mumbai: A Quick Glance and a Second Look

Cruising the Margins: Christy Gast’s Intimate Materiality

Camila Marambio

Work Without End: “Sabriel’s Consolation”

“I Am Still Alive”—A Tautology of Transmission

Art, Work, and the Invisible at NON STNDRD

Annette LePique

Performing at Art Basel Paris

Alive With Ghosts

The Return of Art School Cool: Inside 7 Rue Froissart

Jafar Panahi’s Cinema of Mutual Captivity

Max Kruger-Dull

Opaque Intimacies

Fracture Aesthetic at Frieze Week

Art as Place: Chiharu Shiota’s “Two Home Countries”

Kids, don't run around the patio. It will seem bigger.

Review

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