Material Reasoning in “your cost-benefit calculations”

From My Institution to Yours*

Mexico City Art Week 2026

Information in the Windshield

Leah Dixon: "Sky on the Floor"

Between Magic and Reality: "Talisman" at YveYANG

Carole Harris’s “Threads of Time”

Quantum Implications for Corruptible, Fascist Slop Systems

Amy Ching-Yan Lam: “83% Perfect”

Su-Mei Tse: This Is (Not) a Love Song

Forced to Flower

You Know You Feel Dirty. Change Yer Sheets

Editors’ Selects: January 2026

A Post-Collapse Commitment to Noticing and Preserving

Reclaiming the Spell: Witchcraft at the Crypt Gallery

Mumbai Gallery Weekend Traces the Magical

America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island”

Theater of the Object

Against the Grain in Miami

It’s the End of the World and I’m Unwell

Fiber, Ad Infinitum

On Exchange with Maren Hassinger and Senga Nengudi

Eat Me: Itala Aguilera’s “Tierra Mojada”

Surface Tension

Womanhood As An Abstraction

Rodrigo Ramírez Rodríguez at Bodega OMR

Reflections from the Screen

Editors’ Selects: December 2025

Dancing Outside Time

Self-Portraiture and the Opacity of Class

The Prefix to Shatter

Adversarial Networks: on Joseph Nechvatal

“Rubber, Rubber”: A Surrealist Fever Dream

The Political Potential of the One-Liner

Carla Stellweg’s “Artes Visuales”

THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone

What Comes After the Real

Project III x Embodied Earth: PULSE

Standouts at the 2025 Performa Biennial

Theaster Gates’s Harvest Season in Chicago