Review-1

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Tangled Threads of Work and Play

Amiko Li’s Ouroboros of Motion and Stillness

Jiayin Flora Song

Control Environment

Matilda Lin Berke

Next to Something Wonderful: Whiting Tennis’s “Refuge”

Editors’ Selects: October 2025

“Huracán Architectures” Reveals Fragments and Resilience

Echoes of Subjectivity in Abstract and Surrealist Translation

Windbreak: Meditations on John Zurier

Raúl de Nieves Wants You to Reimagine the Sacred

Nicolas Poblete

The Widening Gyroscope: William Kentridge’s All-Seeing Opera

To Confound or Excite?

Jonah James Romm

Review: "Back Home"/"Ecce Mole"

Preslav Kostov: “Soft Focus” at Tara Downs

Katherine Williams

Time to Pretend

Charlie Parsons

The Fish that Plays the Reed Organ

Annalise June Kamegawa

Focus America at Contemporary Istanbul

Standout Booths at SPLIT LEVEL

Zoe Leonard: “Display” at Maxwell Graham

Matthew Lawson Garrett

Let’s Circle Back Next Quarter

Joshua Caleb Weibley

Cut Flowers Turn Towards the Midnight Sun

Earthly Intelligence in the Desert

Rene Matic’s Silhouettes of Refusal

Sound and Land in Torkwase Dyson’s “Akua”

Leah Amel Hornsby

Horse Power: Susan Rothenberg’s Iterative Images

A City in Full Chorus: Chicago Exhibition Weekend

Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood

Little Boy Blue: A review of “House of McQueen”

Trajal Harrell Breaks the Catwalk

Hannah Wilke’s Enduring Gestures

Editors’ Selects: September 2025

Matilda Lin Berke

Lost Memories and Relics of Urban Living

Sehrish Alikhan

Natasha Roberts on Contemporary Art with Style and Substance

Natasha Roberts

Split Bodies, Unstable Flesh

Standouts at The Armory Show 2025

Business Is Not the Enemy

Where Do We Go from Here?

Specters of Queerness in “Weapons” (2025)

Ballroom Culture and Community in “Legendary Looks”

Carpal Bones: “De Anima”

Andreia Santana

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