"How Asian Is It?" at the Milton Resnick and Pat Passlof Foundation
May 22, 2026
Matilda Lin Berke
REVIEW
Inside New York’s Rogue Project Spaces
May 11, 2026
Jesse Firestone
INTERVIEW
VOICE
To Reach the Moon
April 29, 2026
Will Heinrich
Editors' Selects: May 2026
May 16, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
The Shapes of Painting
Artist Talk @ Independent
EVENTS
ABOUT
The Fish that Plays the Reed Organ
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Annalise June Kamegawa
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Oct 4, 2025
Focus America at Contemporary Istanbul
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Matt A Hanson
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Oct 4, 2025
Standout Booths at SPLIT LEVEL
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Lydia Nobles
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Oct 3, 2025
Zoe Leonard: “Display” at Maxwell Graham
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Matthew Lawson Garrett
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Oct 2, 2025
Let’s Circle Back Next Quarter
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Joshua Caleb Weibley
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Oct 1, 2025
Cut Flowers Turn Towards the Midnight Sun
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Jenan Marcela
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Sep 29, 2025
Earthly Intelligence in the Desert
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BY
Nads Neman
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Sep 28, 2025
Rene Matic’s Silhouettes of Refusal
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Petra Bibeau
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Sep 27, 2025
Sound and Land in Torkwase Dyson’s “Akua”
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Leah Amel Hornsby
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Sep 25, 2025
Horse Power: Susan Rothenberg’s Iterative Images
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BY
Justin Kamp
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Sep 24, 2025
A City in Full Chorus: Chicago Exhibition Weekend
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BY
Nicky Ni
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Sep 23, 2025
Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood
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Vinh Phu Pham
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Sep 22, 2025
Little Boy Blue: A review of “House of McQueen”
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BY
Mike Dressel
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Sep 21, 2025
Trajal Harrell Breaks the Catwalk
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BY
Lucy Kudlinski
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Sep 18, 2025
Hannah Wilke’s Enduring Gestures
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Aidan Chisholm
|
Sep 16, 2025
Editors’ Selects: September 2025
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BY
Editorial Team
|
Sep 15, 2025
TOY STORY
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Matilda Lin Berke
|
Sep 14, 2025
Lost Memories and Relics of Urban Living
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Sehrish Alikhan
|
Sep 13, 2025
Natasha Roberts on Contemporary Art with Style and Substance
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BY
Natasha Roberts
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Sep 12, 2025
Split Bodies, Unstable Flesh
Review
BY
Lydia Nobles
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Sep 9, 2025
Standouts at The Armory Show 2025
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BY
Parker Ewen
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Sep 5, 2025
Business Is Not the Enemy
Review
BY
Emily Lutzker
|
Sep 3, 2025
Where Do We Go from Here?
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BY
Sterling Corum
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Aug 29, 2025
Specters of Queerness in “Weapons” (2025)
Review
BY
Spencer Klink
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Aug 27, 2025
Ballroom Culture and Community in “Legendary Looks”
Review
BY
Ciaran Short
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Aug 23, 2025
Carpal Bones: “De Anima”
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BY
Andreia Santana
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Aug 21, 2025
Where Cruelty Is a Waste of Pain
Review
BY
Mirela Dialeti
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Aug 19, 2025
Questions on the Canon
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BY
Corinne Worthington
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Aug 18, 2025
Editors’ Selects: August 2025
Review
BY
Editorial Team
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Aug 16, 2025
Rethinking Landscape with “Alien Shores”
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BY
Isabel Sonderéguer
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Aug 15, 2025
No Silence Will Ever Protect You*
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BY
Lu Millet
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Aug 13, 2025
Illuminating Queerness through Haze and Shadow
Review
BY
Arimeta Diop
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Aug 9, 2025
Drifting without Handlebars
Review
BY
Yonatan Eshban-Laderman
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Aug 7, 2025
Knots: Ruth Asawa at SFMOMA
Review
BY
Nicole Kaack
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Aug 6, 2025
Computer Dreams: On Information and Images
Review
BY
Justin Kamp
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Aug 5, 2025
Brand me Tender: “One in the Hand, Two in the Fold”
Review
BY
Odeta Xheka
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Aug 4, 2025
Through the Flowers
Review
BY
Elizabeth Wiet
|
Aug 2, 2025
Unwasted Moments: Re-evaluating “Tangerine” (2015)
Review
BY
Max Kruger-Dull
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Jul 31, 2025
Daniel Giordano’s Praxis of Excess
Review
BY
Kate Meadows
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Jul 30, 2025
Peace is the Possibility of You
Review
BY
Emma Fiona Jones
|
Jul 27, 2025
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