Review-1

Lu Yim: “Bottom Edge Air” at Mabou Mines

August 18, 2026

Jack Meriwether

In Conversation with Jeana Zhenyu Zhang

August 18, 2026

Laura Luo

On Humans and Nothingness

August 9, 2026

Tyler Thier

Editors' Selects: July 2026

July 16, 2026

Editorial Team

editors' selects

affordable art fair collectors

Of Sweetness and Dust

Forum @ Paula Cooper

Art, Work, and the Invisible at NON STNDRD

Annette LePique

Performing at Art Basel Paris

Alive With Ghosts

The Return of Art School Cool: Inside 7 Rue Froissart

Jafar Panahi’s Cinema of Mutual Captivity

Max Kruger-Dull

Opaque Intimacies

Fracture Aesthetic at Frieze Week

Art as Place: Chiharu Shiota’s “Two Home Countries”

Kids, don't run around the patio. It will seem bigger.

Tangled Threads of Work and Play

Amiko Li’s Ouroboros of Motion and Stillness

Jiayin Flora Song

Control Environment

Matilda Lin Berke

Next to Something Wonderful: Whiting Tennis’s “Refuge”

Editors’ Selects: October 2025

“Huracán Architectures” Reveals Fragments and Resilience

Echoes of Subjectivity in Abstract and Surrealist Translation

Windbreak: Meditations on John Zurier

Raúl de Nieves Wants You to Reimagine the Sacred

Nicolas Poblete

The Widening Gyroscope: William Kentridge’s All-Seeing Opera

To Confound or Excite?

Jonah James Romm

Review: "Back Home"/"Ecce Mole"

Preslav Kostov: “Soft Focus” at Tara Downs

Katherine Williams

Time to Pretend

Charlie Parsons

The Fish that Plays the Reed Organ

Annalise June Kamegawa

Focus America at Contemporary Istanbul

Standout Booths at SPLIT LEVEL

Zoe Leonard: “Display” at Maxwell Graham

Matthew Lawson Garrett

Let’s Circle Back Next Quarter

Joshua Caleb Weibley

Cut Flowers Turn Towards the Midnight Sun

Earthly Intelligence in the Desert

Rene Matic’s Silhouettes of Refusal

Sound and Land in Torkwase Dyson’s “Akua”

Leah Amel Hornsby

Horse Power: Susan Rothenberg’s Iterative Images

A City in Full Chorus: Chicago Exhibition Weekend

Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood

Little Boy Blue: A review of “House of McQueen”

Trajal Harrell Breaks the Catwalk

Hannah Wilke’s Enduring Gestures

Editors’ Selects: September 2025

Matilda Lin Berke

Review

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