Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Installation
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
Interview
By
Connor Sen Warnick
|
Apr 5, 2026
Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
Review
By
Natasha Chuk
|
Apr 3, 2026
Beyond Cell Doors: Russell Craig’s Vision
Interview
By
Parker Ewen
|
Apr 2, 2026
At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior
Review
By
Almog Cohen-Kashi
|
Apr 1, 2026
Face to Face: March 2026
Interview
By
Editorial Team
|
Mar 31, 2026
Tethering the Earth: Roksana Pirouzmand
Review
By
Vinh Phu Pham
|
Mar 30, 2026
A Story is That Which Remains After the Fact
Review
By
Emma Huerta
|
Mar 29, 2026
Ranbir Sidhu: “No Limits”
Review
By
Katherine Williams
|
Mar 24, 2026
Care as an Infrastructure for Survival
Review
By
Sophie Barfod
|
Mar 18, 2026
Pressing close; closer. Split open, then gathered.
Review
By
Lu Millet
|
Mar 5, 2026
Editors’ Selects: February 2026
Review
By
Editorial Team
|
Feb 16, 2026
In Conversation with Baldassarre Ruspoli
Interview
By
Maya Davis
|
Feb 15, 2026
Stitching Time Together: In Conversation with Rose Marie Cromwell
Interview
By
Samantha Jensen
|
Feb 11, 2026
From My Institution to Yours*
Review
By
Marie Heilich
|
Feb 9, 2026
Information in the Windshield
Review
By
Katherine Williams
|
Feb 5, 2026
Face to Face: January 2026
Interview
By
Editorial Team
|
Jan 31, 2026
Quantum Implications for Corruptible, Fascist Slop Systems
Review
By
Annalise June Kamegawa
|
Jan 21, 2026
Amy Ching-Yan Lam: “83% Perfect”
Review
By
Lodoe Laura
|
Jan 19, 2026
Editors’ Selects: January 2026
Review
By
Editorial Team
|
Jan 16, 2026
America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island”
Review
By
Vinh Phu Pham
|
Jan 12, 2026
Spinning Round and Round with Assume Vivid Astro Focus
Interview
By
Maureen Sullivan
|
Dec 30, 2025
It’s the End of the World and I’m Unwell
Review
By
Joshua Caleb Weibley
|
Dec 27, 2025
Interstitial Institutionalism
Voice
By
Iacopo Prinetti
|
Dec 12, 2025
Theaster Gates’s Harvest Season in Chicago
Review
By
Nicky Ni
|
Nov 27, 2025
Reclaiming the Fantastic at the Studio Museum in Harlem
Review
By
Aliya Nimmons
|
Nov 23, 2025
An Antidote to Art Cynicism
Review
By
Nicolas Poblete
|
Nov 22, 2025
Sound as Body: Coco Klockner
Review
By
Jonah James Romm
|
Nov 19, 2025
Editors’ Selects: November 2025
Review
By
Editorial Team
|
Nov 17, 2025
Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun”
Interview
By
Xuezhu Jenny Wang
|
Nov 14, 2025
In Conversation with Lucía Reissig
Interview
By
Micaela Vindman
|
Nov 11, 2025
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