Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Installation

Art, Work, and the Invisible at NON STNDRD

Annette LePique

Fracture Aesthetic at Frieze Week

Art as Place: Chiharu Shiota’s “Two Home Countries”

Amiko Li’s Ouroboros of Motion and Stillness

Jiayin Flora Song

Control Environment

Matilda Lin Berke

Editors’ Selects: October 2025

Raúl de Nieves Wants You to Reimagine the Sacred

Nicolas Poblete

To Confound or Excite?

Jonah James Romm

The Fish that Plays the Reed Organ

Annalise June Kamegawa

Focus America at Contemporary Istanbul

Sound and Land in Torkwase Dyson’s “Akua”

Leah Amel Hornsby

Computer Dreams: On Information and Images

Daniel Giordano’s Praxis of Excess

Editors’ Selects: July 2025

Face to Face: July 2025

Dylan Rose Rheingold Unlocks Our Core Memories

Sophie Steinberg

Editors’ Selects: June 2025

Indoctrinating Trauma and Inequality: “On Education”

Nina Chkareuli-Mdivani

HELLO ETERNAL LOVING PRESENCE

Celeste Talks DIY Attitudes and Mexican Hospitality

You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz

Victoria Reshetnikov

Seeing Time: Alicja Kwade’s Clockwork

Ghosts Never Leave: Berlin Gallery Weekend

Lili Rebeka Toth

Becoming Venus: In Conversation with Maria Yolanda Liebana

Francisco Donoso

Editors’ Selects: May 2025

From Surfing to Sinking in the Internet: Yehwan Song

Ramón Saturnino: “Aquí no es así”

Coralina Rodriguez Meyer on Reclaiming Memory

Beyond the Loop: “Strata” Simulates the Infinite

Xuezhu Jenny Wang

Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”

Theodora Bocanegra Lang

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