Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Solo Exhibition

Diagrams, Architecture, and State Power with Nick Angelo

Eat Me: Itala Aguilera’s “Tierra Mojada”

Surface Tension

Jonah James Romm

Womanhood As An Abstraction

Nicolas Poblete

Reflections from the Screen

Editors’ Selects: December 2025

Self-Portraiture and the Opacity of Class

The Prefix to Shatter

Adversarial Networks: on Joseph Nechvatal

Katherine Williams

Theaster Gates’s Harvest Season in Chicago

Salvation and Care in Clay

Sound as Body: Coco Klockner

Jonah James Romm

Cruising the Margins: Christy Gast’s Intimate Materiality

Camila Marambio

In Conversation with Lucía Reissig

Micaela Vindman

Alive With Ghosts

Opaque Intimacies

Art as Place: Chiharu Shiota’s “Two Home Countries”

Kids, don't run around the patio. It will seem bigger.

Amiko Li’s Ouroboros of Motion and Stillness

Jiayin Flora Song

Control Environment

Matilda Lin Berke

Hybrid Mythology: In Conversation with Rajni Perera

Payal Khandelwal

Next to Something Wonderful: Whiting Tennis’s “Refuge”

“Huracán Architectures” Reveals Fragments and Resilience

Echoes of Subjectivity in Abstract and Surrealist Translation

Windbreak: Meditations on John Zurier

Raúl de Nieves Wants You to Reimagine the Sacred

Nicolas Poblete

An Image Erased: In Conversation with Ken Gonzales-Day

Preslav Kostov: “Soft Focus” at Tara Downs

Katherine Williams

Time to Pretend

Charlie Parsons

The Fish that Plays the Reed Organ

Annalise June Kamegawa

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