Solo Exhibition

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior

Tethering the Earth: Roksana Pirouzmand

Ranbir Sidhu: “No Limits”

Scene Missing, Still Sounding

Care as an Infrastructure for Survival

Participation as Practice: In Conversation with Ari Brochin

Editors’ Selects: March 2026

Fragments Toward a Monument

Photographic Painting in New York

Staring at What Is

Pressing close; closer. Split open, then gathered.

At the Threshold of the Image: Matthias Groebel’s “A Nervous System”

The Painted Wordplay and Critiques of Becky Brown

Reanimating the Archives with Polina Osipova

Leah Liu: "susurrus 聲聲私"

Editors’ Selects: February 2026

Stitching Time Together: In Conversation with Rose Marie Cromwell

Material Reasoning in “your cost-benefit calculations”

Arthur Simms: “Caged Bottle”

Information in the Windshield

In Conversation with Anjali Kasturi

Carole Harris’s “Threads of Time”

Quantum Implications for Corruptible, Fascist Slop Systems

Amy Ching-Yan Lam: “83% Perfect”

Forced to Flower

Editors’ Selects: January 2026

America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island”

Theater of the Object

Spinning Round and Round with Assume Vivid Astro Focus