Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Solo Exhibition

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior

Almog Cohen-Kashi

Tethering the Earth: Roksana Pirouzmand

Ranbir Sidhu: “No Limits”

Katherine Williams

Scene Missing, Still Sounding

Care as an Infrastructure for Survival

Participation as Practice: In Conversation with Ari Brochin

Editors’ Selects: March 2026

Fragments Toward a Monument

Kimberlean Donis

Photographic Painting in New York

Pressing close; closer. Split open, then gathered.

At the Threshold of the Image: Matthias Groebel’s “A Nervous System”

The Painted Wordplay and Critiques of Becky Brown

Reanimating the Archives with Polina Osipova

Leah Liu: "susurrus 聲聲私"

Editors’ Selects: February 2026

Stitching Time Together: In Conversation with Rose Marie Cromwell

Samantha Jensen

Material Reasoning in “your cost-benefit calculations”

Arthur Simms: “Caged Bottle”

Xuezhu Jenny Wang

Information in the Windshield

Katherine Williams

In Conversation with Anjali Kasturi

Carole Harris’s “Threads of Time”

Quantum Implications for Corruptible, Fascist Slop Systems

Annalise June Kamegawa

Amy Ching-Yan Lam: “83% Perfect”

Forced to Flower

Emma Fiona Jones

Editors’ Selects: January 2026

America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island”

Theater of the Object

Almog Cohen-Kashi

Spinning Round and Round with Assume Vivid Astro Focus

Maureen Sullivan

It’s the End of the World and I’m Unwell

Joshua Caleb Weibley

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