Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Sculpture
The Prefix to Shatter
Review
By
June Kitahara
|
Dec 13, 2025
Face to Face: November 2025
Interview
By
Editorial Team
|
Nov 30, 2025
Standouts at the 2025 Performa Biennial
Review
By
Editorial Team
|
Nov 28, 2025
Theaster Gates’s Harvest Season in Chicago
Review
By
Nicky Ni
|
Nov 27, 2025
Salvation and Care in Clay
Review
By
Bryan Martin
|
Nov 24, 2025
Reclaiming the Fantastic at the Studio Museum in Harlem
Review
By
Aliya Nimmons
|
Nov 23, 2025
An Ode to Waste
Review
By
Yonatan Eshban-Laderman
|
Nov 21, 2025
Sound as Body: Coco Klockner
Review
By
Jonah James Romm
|
Nov 19, 2025
Editors’ Selects: November 2025
Review
By
Editorial Team
|
Nov 17, 2025
Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun”
Interview
By
Xuezhu Jenny Wang
|
Nov 14, 2025
Cruising the Margins: Christy Gast’s Intimate Materiality
Review
By
Camila Marambio
|
Nov 12, 2025
In Conversation with Lucía Reissig
Interview
By
Micaela Vindman
|
Nov 11, 2025
Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko
Interview
By
Marthe Yung Mee Hansen
|
Nov 7, 2025
Art, Work, and the Invisible at NON STNDRD
Review
By
Annette LePique
|
Nov 5, 2025
Alive With Ghosts
Review
By
Lydia Nobles
|
Nov 2, 2025
Face to Face: October 2025
Interview
By
Editorial Team
|
Oct 31, 2025
Fracture Aesthetic at Frieze Week
Review
By
Leah Triplett
|
Oct 26, 2025
Tangled Threads of Work and Play
Review
By
Jenan Marcela
|
Oct 22, 2025
Amiko Li’s Ouroboros of Motion and Stillness
Review
By
Jiayin Flora Song
|
Oct 21, 2025
Control Environment
Review
By
Matilda Lin Berke
|
Oct 20, 2025
Next to Something Wonderful: Whiting Tennis’s “Refuge”
Review
By
M. Sullivan
|
Oct 17, 2025
Editors’ Selects: October 2025
Review
By
Editorial Team
|
Oct 16, 2025
To Confound or Excite?
Review
By
Jonah James Romm
|
Oct 10, 2025
The Fish that Plays the Reed Organ
Review
By
Annalise June Kamegawa
|
Oct 4, 2025
Focus America at Contemporary Istanbul
Review
By
Matt A Hanson
|
Oct 4, 2025
Material as Language: In Conversation with Man Yau
Interview
By
Marthe Yung Mee Hansen
|
Oct 4, 2025
Standout Booths at SPLIT LEVEL
Review
By
Lydia Nobles
|
Oct 3, 2025
Let’s Circle Back Next Quarter
Review
By
Joshua Caleb Weibley
|
Oct 1, 2025
Face to Face: September 2025
Interview
By
Editorial Team
|
Sep 30, 2025
Hannah Wilke’s Enduring Gestures
Review
By
Aidan Chisholm
|
Sep 16, 2025
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