Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
In Conversation with Stephen DiRado
October 4, 2026
Xuezhu Jenny Wang
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
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Sculpture
Face to Face: January 2026
Interview
By
Editorial Team
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Jan 31, 2026
Between Magic and Reality: "Talisman" at YveYANG
Review
By
Parker Ewen
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Jan 27, 2026
Forced to Flower
Review
By
Emma Fiona Jones
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Jan 18, 2026
Editors’ Selects: January 2026
Review
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Editorial Team
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Jan 16, 2026
Theater of the Object
Review
By
Almog Cohen-Kashi
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Jan 9, 2026
“Laterness” in Abstract Time
Interview
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Julian Stern
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Jan 2, 2026
Face to Face: December 2025
Interview
By
Editorial Team
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Dec 31, 2025
Rodrigo Ramírez Rodríguez at Bodega OMR
Review
By
Lia Quezada
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Dec 17, 2025
Editors’ Selects: December 2025
Review
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Editorial Team
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Dec 16, 2025
The Prefix to Shatter
Review
By
June Kitahara
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Dec 13, 2025
Face to Face: November 2025
Interview
By
Editorial Team
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Nov 30, 2025
Standouts at the 2025 Performa Biennial
Review
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Editorial Team
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Nov 28, 2025
Theaster Gates’s Harvest Season in Chicago
Review
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Nicky Ni
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Nov 27, 2025
Salvation and Care in Clay
Review
By
Bryan Martin
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Nov 24, 2025
Reclaiming the Fantastic at the Studio Museum in Harlem
Review
By
Aliya Nimmons
|
Nov 23, 2025
An Ode to Waste
Review
By
Yonatan Eshban-Laderman
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Nov 21, 2025
Sound as Body: Coco Klockner
Review
By
Jonah James Romm
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Nov 19, 2025
Editors’ Selects: November 2025
Review
By
Editorial Team
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Nov 17, 2025
Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun”
Interview
By
Xuezhu Jenny Wang
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Nov 14, 2025
Cruising the Margins: Christy Gast’s Intimate Materiality
Review
By
Camila Marambio
|
Nov 12, 2025
In Conversation with Lucía Reissig
Interview
By
Micaela Vindman
|
Nov 11, 2025
Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko
Interview
By
Marthe Yung Mee Hansen
|
Nov 7, 2025
Art, Work, and the Invisible at NON STNDRD
Review
By
Annette LePique
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Nov 5, 2025
Alive With Ghosts
Review
By
Lydia Nobles
|
Nov 2, 2025
Face to Face: October 2025
Interview
By
Editorial Team
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Oct 31, 2025
Fracture Aesthetic at Frieze Week
Review
By
Leah Triplett
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Oct 26, 2025
Tangled Threads of Work and Play
Review
By
Jenan Marcela
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Oct 22, 2025
Amiko Li’s Ouroboros of Motion and Stillness
Review
By
Jiayin Flora Song
|
Oct 21, 2025
Control Environment
Review
By
Matilda Lin Berke
|
Oct 20, 2025
Next to Something Wonderful: Whiting Tennis’s “Refuge”
Review
By
M. Sullivan
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Oct 17, 2025
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