Review

Kim Gordon’s Noisy Heartbreak

Isamu Noguchi: "Noguchi’s New York" at The Isamu Noguchi Foundation Museum

Sandy Williams IV: “Bunker” at Arcadia University’s Spruance Gallery

“Evidence of Contact” at A Space

Goki Muramoto: "Eyes Half Open" at Nguyen Wahed Gallery

“A Room with a View” at nuun

Evelyn Taocheng Wang: “Sweet Landscape”

“That Was Then” at Picture Theory

Yehwan Song: "The Other Internet" at Subtitled NYC

Anna Leonhardt: “Resonance” at Marc Straus Gallery

“You Must Change Your Life” at Grimm Gallery

Lola Stong-Brett: “Sometime Somewhere Someone Is Dancing” at James Fuentes

Joel Meyerowitz: Select Works at Huxley-Parlour

Jie SHAO: "Time, Arrested" at BONIAN SPACE

Jeff Carter: “The Singer Pavilion Project” at HPAC

“pity this busy monster” at Matt Carey-Williams

"Fill’d Them, Emptied Them" at Sheerly Touch-Ya Curated by Isabella Achenbach

“Toward a Sentence” at NARS Foundation

Best Booths at Philadelphia’s Elsewhere Art Fair

Aki Onda: "The Time of Bell Ringers"

A Low-Volume Declaration: Becoming Cyborg as Ethics

Picking a Frame: The Film Posters of Peter Strausfeld

Ibiza is Waiting: Bruno Pélassy and Perla Zúñiga

Feathers and Bones

Review: “What We Take”

On Ownership Structures

Looking Past Revulsion

Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic”

The Terror of Viewing Eggleston’s “The Last Dyes” Now

The Painted Wordplay and Critiques of Becky Brown