“Do I know you from somewhere?” at Transmitter Gallery
September 4, 2026
Sophia Rawson Wright
REVIEW
In Conversation: Jieun Cheon and Will Maddoxx
September 4, 2026
Will Maddoxx
INTERVIEW
VOICE
Hockney at the Opera: Beyond the Surface
August 22, 2026
Kevin Ng
Editors' Selects: August 2026
August 20, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Of Sweetness and Dust
Forum @ Paula Cooper
EVENTS
ABOUT
Performance
Hockney at the Opera: Beyond the Surface
Voice
By
Kevin Ng
|
Aug 22, 2026
Lu Yim: “Bottom Edge Air” at Mabou Mines
Review
By
Jack Meriwether
|
Aug 18, 2026
In Conversation with Meritxell de Soto
Interview
By
Pola Pucheta
|
Aug 10, 2026
Face to Face: July 2026
Interview
By
Editorial Team
|
Jul 31, 2026
Chloë Engel: "Autobody" at Pageant
Review
By
Jack Meriwether
|
Jul 21, 2026
“IT NEVER SSST”: Miet Warlop’s Score for Exhaustion
Review
By
Matthew McPhillips
|
Jun 21, 2026
Nimbus Dance: "Sum of Parts"
Review
By
Cynthia Dragoni
|
Jun 1, 2026
Maia Chao: "BEING MOVED" at the Whitney
Review
By
Asia Stewart
|
May 30, 2026
Aki Onda: "The Time of Bell Ringers"
Review
By
Jungmin Cho
|
Jun 4, 2026
Neva Guido: "Fantasia" at Life World
Review
By
Maia Sauer
|
May 11, 2026
Gibney Dance Company: Joyce Theatre
Review
By
Cynthia Dragoni
|
Apr 15, 2026
(LA)HORDE Becomes What It Cautions Against in “Age of Content”
Review
By
Lucy Kudlinski
|
Mar 11, 2026
Face to Face: February 2026
Interview
By
Editorial Team
|
Feb 28, 2026
Eat Me: Itala Aguilera’s “Tierra Mojada”
Review
By
Izzy DeSantis
|
Dec 21, 2025
Dancing Outside Time
Review
By
Asia Stewart
|
Dec 15, 2025
Interstitial Institutionalism
Voice
By
Iacopo Prinetti
|
Dec 12, 2025
Lance Weiler on Memory, Mystery, and Algorithmic Grief
Interview
By
Xuezhu Jenny Wang
|
Dec 8, 2025
What Comes After the Real
Review
By
Pola Pucheta
|
Dec 2, 2025
Standouts at the 2025 Performa Biennial
Review
By
Editorial Team
|
Nov 28, 2025
An Antidote to Art Cynicism
Review
By
Nicolas Poblete
|
Nov 22, 2025
Work Without End: “Sabriel’s Consolation”
Review
By
Sarv Gersten
|
Nov 10, 2025
Face to Face: October 2025
Interview
By
Editorial Team
|
Oct 31, 2025
The Widening Gyroscope: William Kentridge’s All-Seeing Opera
Review
By
Justin Kamp
|
Oct 11, 2025
Little Boy Blue: A review of “House of McQueen”
Review
By
Mike Dressel
|
Sep 21, 2025
Trajal Harrell Breaks the Catwalk
Review
By
Lucy Kudlinski
|
Sep 18, 2025
Ballroom Culture and Community in “Legendary Looks”
Review
By
Ciaran Short
|
Aug 23, 2025
Editors’ Selects: August 2025
Review
By
Editorial Team
|
Aug 16, 2025
No Silence Will Ever Protect You*
Review
By
Lu Millet
|
Aug 13, 2025
Face to Face: July 2025
Interview
By
Editorial Team
|
Jul 19, 2025
A Clown Walks into the Crowd
Review
By
Ciaran Short
|
Jun 19, 2025
NEXT
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