Film

"Barbara Forever" (2026) dir. Brydie O’Connor

"The Conformist" (1970) dir. Bernardo Bertolucci

Editors' Selects: September 2026

"The Ballad of Little Jo" (1993) dir. Maggie Greenwald at Anthology Film Archives

On Humans and Nothingness

Poyen Wang in "Greater New York" at MoMA PS1 and 99Canal

"Promised Sky" (2026) dir. Erige Sehiri

"I Shot Andy Warhol" (1996) dir. Mary Harron at the IFC Center

In Conversation with the Creators of "A Flower of Forgetfulness" (2026)

Picking a Frame: The Film Posters of Peter Strausfeld

Face to Face: April 2026

An Uncommodified Marilyn Monroe

A Long Shot of the Eternal City

Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic”

The Limits of Autonomy in Emerald Fennell's "'Wuthering Heights'"

From My Institution to Yours*

The Cinderellas of Contemporary Cuba: Ana Alpizar’s "Norheimsund"

The Political Potential of the One-Liner

Editors’ Selects: November 2025

Jafar Panahi’s Cinema of Mutual Captivity

Review: "Back Home"/"Ecce Mole"

On Refusing the Refuge of the Past

Where Do We Go from Here?

Specters of Queerness in “Weapons” (2025)

Unwasted Moments: Re-evaluating “Tangerine” (2015)

The Siren Song of Cultural Diplomacy

“Becoming Ghost” with Cathy Linh Che

Beyond the Loop: “Strata” Simulates the Infinite

Review: Chronicles of the Absurd

The “Man with AI Movie Camera,” Dan Sickles