Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

April 3, 2026

Natasha Chuk

“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall

April 5, 2026

Connor Sen Warnick

I See Something in the Sky

February 23, 2026

Will Heinrich

Editors’ Selects: March 2026

March 15, 2026

Editorial Team

editors' selects

affordable art fair collectors

Marked Land

IMPULSE Forum @ GRIMM

Technology

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

Participation as Practice: In Conversation with Ari Brochin

(LA)HORDE Becomes What It Cautions Against in “Age of Content”

Information in the Windshield

Katherine Williams

Between Magic and Reality: "Talisman" at YveYANG

Quantum Implications for Corruptible, Fascist Slop Systems

Annalise June Kamegawa

Adversarial Networks: on Joseph Nechvatal

Katherine Williams

Standouts at the 2025 Performa Biennial

Preslav Kostov: “Soft Focus” at Tara Downs

Katherine Williams

On Digital Sensation and Rotting

In Conversation with Muhammad Toukhy

Bowie Bo Gyung Kim

Computer Dreams: On Information and Images

Unwasted Moments: Re-evaluating “Tangerine” (2015)

Max Kruger-Dull

Mapping Self Through Sound: An Interview with Ari Melenciano

Editors’ Selects: May 2025

Claudia Hart’s Rhythms of Deferral and Renewal

From Surfing to Sinking in the Internet: Yehwan Song

The “Man with AI Movie Camera,” Dan Sickles

Frank WANG Yefeng: Failing Toward Liberation