Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Materiality
Material Reasoning in “your cost-benefit calculations”
Review
By
Kate Meadows
|
Feb 10, 2026
In Conversation with Anjali Kasturi
Interview
By
Shreya Ajmani
|
Feb 2, 2026
Surface Tension
Review
By
Jonah James Romm
|
Dec 20, 2025
The Prefix to Shatter
Review
By
June Kitahara
|
Dec 13, 2025
Material as Language: In Conversation with Man Yau
Interview
By
Marthe Yung Mee Hansen
|
Oct 4, 2025
The Land and Its Shadow
Review
By
Marcus Civin
|
May 1, 2025
Veils of Velvet: Decoding Lior Modan’s Reliefs
Review
By
Katya Borkov
|
Apr 14, 2025
Abstracting the Everyday
Review
By
Corinne Worthington
|
Mar 22, 2025
Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple”
Review
By
Aidan Chisholm
|
Jan 18, 2025
Diminishing (Lost Hair Clogs Drain)
Review
By
Jacksun Bein
|
Sep 22, 2024
Motohiro Takeda’s Garden of Time
Review
By
Emma Thibodeaux-Thompson
|
Sep 22, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024