Lu Yim: “Bottom Edge Air” at Mabou Mines
August 18, 2026
Jack Meriwether
REVIEW
In Conversation with Jeana Zhenyu Zhang
August 18, 2026
Laura Luo
INTERVIEW
VOICE
On Humans and Nothingness
August 9, 2026
Tyler Thier
Editors' Selects: July 2026
July 16, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Of Sweetness and Dust
Forum @ Paula Cooper
EVENTS
ABOUT
Materiality
In Conversation with Jeana Zhenyu Zhang
Interview
By
Laura Luo
|
Aug 18, 2026
“Second material” at Spencer Brownstone
Review
By
Mika Yassur
|
Aug 8, 2026
"Fill’d Them, Emptied Them" at Sheerly Touch-Ya Curated by Isabella Achenbach
Review
By
Victoria Reshetnikov
|
Jun 24, 2026
Stephen Lichty: "Ghost Stone" at YveYANG Gallery
Review
By
Xumeng Zhang
|
Jun 15, 2026
Material Reasoning in “your cost-benefit calculations”
Review
By
Kate Meadows
|
Feb 10, 2026
In Conversation with Anjali Kasturi
Interview
By
Shreya Ajmani
|
Feb 2, 2026
Surface Tension
Review
By
Jonah James Romm
|
Dec 20, 2025
The Prefix to Shatter
Review
By
June Kitahara
|
Dec 13, 2025
Material as Language: In Conversation with Man Yau
Interview
By
Marthe Yung Mee Hansen
|
Oct 4, 2025
The Land and Its Shadow
Review
By
Marcus Civin
|
May 1, 2025
Veils of Velvet: Decoding Lior Modan’s Reliefs
Review
By
Katya Borkov
|
Apr 14, 2025
Abstracting the Everyday
Review
By
Corinne Worthington
|
Mar 22, 2025
Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple”
Review
By
Aidan Chisholm
|
Jan 18, 2025
Diminishing (Lost Hair Clogs Drain)
Review
By
Jacksun Bein
|
Sep 22, 2024
Motohiro Takeda’s Garden of Time
Review
By
Emma Thibodeaux-Thompson
|
Sep 22, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024