Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
Unsympathetic Clock: In Conversation with TJ Shin
October 2, 2026
Fiona Xintong Ye
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
Editorial Team
COLUMNS
editors' selects
face-to-face
affordable art fair collectors
October Happy Hour
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Institutional Critique
Medina Triennial 2026
Review
By
Qingyuan Deng
|
Jun 29, 2026
“IT NEVER SSST”: Miet Warlop’s Score for Exhaustion
Review
By
Matthew McPhillips
|
Jun 21, 2026
"In Minor Keys": Venice Biennale 2026
Review
By
Annalise June Kamegawa
|
Jun 5, 2026
Maia Chao: "BEING MOVED" at the Whitney
Review
By
Asia Stewart
|
May 30, 2026
Trespassing On Public Property: On Sophie Kovel
Interview
By
Ray Camp
|
May 26, 2026
Assimilational Antagonism: The third place bites back
Voice
By
Phil Zheng Cai
|
Apr 28, 2026
Dominique Gonzalez-Foerster: "Zone" at 303 Gallery
Review
By
Joanna Seifter
|
Apr 17, 2026
At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior
Review
By
Almog Cohen-Kashi
|
Apr 1, 2026
Amy Ching-Yan Lam: “83% Perfect”
Review
By
Lodoe Laura
|
Jan 19, 2026
Interstitial Institutionalism
Voice
By
Iacopo Prinetti
|
Dec 12, 2025
Zoe Leonard: “Display” at Maxwell Graham
Review
By
Matthew Lawson Garrett
|
Oct 2, 2025