Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Abstraction
"In Celebration of Shadows"
Review
By
Tara Parsons
|
Feb 25, 2026
Echoes of Subjectivity in Abstract and Surrealist Translation
Review
By
Teddy Sandler
|
Oct 14, 2025
Windbreak: Meditations on John Zurier
Review
By
Rory Martin
|
Oct 13, 2025
Preslav Kostov: “Soft Focus” at Tara Downs
Review
By
Katherine Williams
|
Oct 6, 2025
Time to Pretend
Review
By
Charlie Parsons
|
Oct 5, 2025
Split Bodies, Unstable Flesh
Review
By
Lydia Nobles
|
Sep 9, 2025
The Anti-Image in the Age of Visual Noise
Review
By
Natasha Chuk
|
Jul 25, 2025
In Conversation with Ceirra Evans
Interview
By
Maria Owen
|
Jul 23, 2025
Faded Figures in a Greenpoint Window
Review
By
Elizabeth Wiet
|
May 28, 2025
Jan Dickey: “The High Collapse”
Review
By
Nads Neman
|
May 5, 2025
Terran Last Gun’s Eternal Ledger Drawings
Review
By
Maria Owen
|
Apr 3, 2025
Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives
Interview
By
Shreya Ajmani
|
Mar 27, 2025
Thiang Uk’s Contradictions in Harmony
Review
By
Maria Owen
|
Mar 23, 2025
Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh
Interview
By
Xuezhu Jenny Wang
|
Jan 28, 2025
Thomas McDonell’s Aesthetic of Motion and Impermanence
Review
By
Xuezhu Jenny Wang
|
Oct 17, 2024
Alejandra Seeber and the Freedom of Listening to the Creative Process
Interview
By
Mariado Martínez Pérez
|
Jul 5, 2024