Flux and Flow at El Museo del Barrio

“Cult of Domesticity” at LUmkA

Book Review: “Enter Ghost”

JinJin Xu: “Against This Earth, She Knocks”

Tactile Oppositions in Linda Stark’s “Ethereal Material”

The Twin Moons of Luna Luna Rise Over the Hudson

Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”

New Uncanny’s Haunting Reveries

Peter McGough: “Alphabet”

Abject Feasts and Eucharistic Lovers at MAMA Projects

Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”

BRIC’s 2024 JazzFest Marks a Decade of Discovery

Francis Newton Souza “Straddles Several Traditions but Serves None”

Misha Ilin’s Fossilized Fragments, Surreal and Shimmering

Gabriela Salazar’s Diaristic “No Shoulder”

“I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward

The Bare Decadence of “Bad Girls”

Monstrosity as Symptom in Celine Song’s “Family”

New York Is More Alive Than Ever, NOW!

“Harmony and Dissonance” Opens at the Guggenheim Museum

Intimacy as Theoretical Framework at Iowa

Naomi Nakazato Conjures Forgotten Futures at Olympia

FAO’s Artful Celebration of the Amazon and the Risk of Tokenism

The Salon by NADA x The Community

Paul Schrader Doesn’t Believe in the Future

Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows

Are You Alone Right Now?

Untangling Feeling: Kati Gegenheimer’s Passages

War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma

Standout Booths at Art Toronto 2024

Growing Pains: Where Street Art and the Gallery Collide

What’s Your Pleasure?

Thomas McDonell’s Aesthetic of Motion and Impermanence

La MaMa Looks Inward and Beyond With Its 63rd Season

Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality

Tina Girouard’s Enigmatic Symbols Await Interpretation

Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves

Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism

Nietzsche in a Downtown Supply Store

Feast Your Eyes: “Artists and Recipes” at Marvin Gardens