The Salon by NADA x The Community

Paul Schrader Doesn’t Believe in the Future

Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows

Are You Alone Right Now?

Untangling Feeling: Kati Gegenheimer’s Passages

War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma

Standout Booths at Art Toronto 2024

Growing Pains: Where Street Art and the Gallery Collide

What’s Your Pleasure?

Thomas McDonell’s Aesthetic of Motion and Impermanence

La MaMa Looks Inward and Beyond With Its 63rd Season

Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality

Tina Girouard’s Enigmatic Symbols Await Interpretation

Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves

Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism

Nietzsche in a Downtown Supply Store

Feast Your Eyes: “Artists and Recipes” at Marvin Gardens

Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies

“The Outline of Her Words”: Where Myth Meets Memory

When It Rains, It Pours: Queer Hilarity in “Vile Isle”

Diminishing (Lost Hair Clogs Drain)

Motohiro Takeda’s Garden of Time

The Party’s in the Back

“Binary Equilibrium” Luxuriates in Polarity

Michael Wang Challenges Visions of a Nuclear Future

Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories

Irene Gong Plants Her Roots in the International Arts Scene

To Leave More Than A Trace

Impressions of Loneliness in Asteroid City

Gabrielle L'Hirondelle Hill: M*****

Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority

Ten Gates into the Future

Walking Around Covered in Magnets

BlackStar Celebrates Filmmaking from the Global Majority

Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body

The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca

Christina Barrera’s “Revolutionary Festival”

“Paper Cuts” at Elza Kayal Gallery

Curatorial Deviations

Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library & Museum