Gabriela Salazar’s Diaristic “No Shoulder”

“I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward

The Bare Decadence of “Bad Girls”

Monstrosity as Symptom in Celine Song’s “Family”

New York Is More Alive Than Ever, NOW!

“Harmony and Dissonance” Opens at the Guggenheim Museum

Intimacy as Theoretical Framework at Iowa

Naomi Nakazato Conjures Forgotten Futures at Olympia

FAO’s Artful Celebration of the Amazon and the Risk of Tokenism

The Salon by NADA x The Community

Paul Schrader Doesn’t Believe in the Future

Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows

Are You Alone Right Now?

Untangling Feeling: Kati Gegenheimer’s Passages

War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma

Standout Booths at Art Toronto 2024

Growing Pains: Where Street Art and the Gallery Collide

What’s Your Pleasure?

Thomas McDonell’s Aesthetic of Motion and Impermanence

La MaMa Looks Inward and Beyond With Its 63rd Season

Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality

Tina Girouard’s Enigmatic Symbols Await Interpretation

Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves

Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism

Nietzsche in a Downtown Supply Store

Feast Your Eyes: “Artists and Recipes” at Marvin Gardens

Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies

“The Outline of Her Words”: Where Myth Meets Memory

When It Rains, It Pours: Queer Hilarity in “Vile Isle”

Diminishing (Lost Hair Clogs Drain)

Motohiro Takeda’s Garden of Time

The Party’s in the Back

“Binary Equilibrium” Luxuriates in Polarity

Michael Wang Challenges Visions of a Nuclear Future

Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories

Irene Gong Plants Her Roots in the International Arts Scene

To Leave More Than A Trace

Impressions of Loneliness in Asteroid City

Gabrielle L'Hirondelle Hill: M*****

Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority