Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies

“The Outline of Her Words”: Where Myth Meets Memory

When It Rains, It Pours: Queer Hilarity in “Vile Isle”

Diminishing (Lost Hair Clogs Drain)

Motohiro Takeda’s Garden of Time

The Party’s in the Back

“Binary Equilibrium” Luxuriates in Polarity

Michael Wang Challenges Visions of a Nuclear Future

Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories

Irene Gong Plants Her Roots in the International Arts Scene

To Leave More Than A Trace

Impressions of Loneliness in Asteroid City

Gabrielle L'Hirondelle Hill: M*****

Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority

Ten Gates into the Future

Walking Around Covered in Magnets

BlackStar Celebrates Filmmaking from the Global Majority

Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body

The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca

Christina Barrera’s “Revolutionary Festival”

“Paper Cuts” at Elza Kayal Gallery

Curatorial Deviations

Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library & Museum

A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care

Messages in Flight: “Function–Fiction” at GOBI

Eva Hesse: Five Sculptures

“Life on the Fringe”?

Being an “Art Monster”

Refashioning: CFGNY & Wataru Tominaga

Brianna Rose Brooks: Come Back As A Flower

The Conflict Between Endless Possibilities and Reality

Basement Secrets: Cinema Supply’s “Lost and Found”

The Beirut Trilogy by Jocelyne Saab

Paula Modersohn-Becker Is

Tomás Gómez Bustillo Captures the Magical and the Real

Gender, Nation, and Photography

A Celebration of Being and Balance