Ten Gates into the Future

Walking Around Covered in Magnets

BlackStar Celebrates Filmmaking from the Global Majority

Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body

The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca

Christina Barrera’s “Revolutionary Festival”

“Paper Cuts” at Elza Kayal Gallery

Curatorial Deviations

Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library & Museum

A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care

Messages in Flight: “Function–Fiction” at GOBI

Eva Hesse: Five Sculptures

“Life on the Fringe”?

Being an “Art Monster”

Refashioning: CFGNY & Wataru Tominaga

Brianna Rose Brooks: Come Back As A Flower

The Conflict Between Endless Possibilities and Reality

Basement Secrets: Cinema Supply’s “Lost and Found”

The Beirut Trilogy by Jocelyne Saab

Paula Modersohn-Becker Is

Tomás Gómez Bustillo Captures the Magical and the Real

Gender, Nation, and Photography

A Celebration of Being and Balance