Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
In Conversation with Stephen DiRado
October 4, 2026
Xuezhu Jenny Wang
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
Editorial Team
COLUMNS
editors' selects
face-to-face
affordable art fair collectors
October Happy Hour
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Solo Exhibition
Claudia Hart’s Rhythms of Deferral and Renewal
Review
By
Natasha Chuk
|
May 13, 2025
Unmaking the City
Review
By
Spencer Klink
|
May 11, 2025
Jan Dickey: “The High Collapse”
Review
By
Nads Neman
|
May 5, 2025
Speculative Ecologies and Sacred Grief
Interview
By
Michelle Ruiz
|
May 3, 2025
The Land and Its Shadow
Review
By
Marcus Civin
|
May 1, 2025
From Surfing to Sinking in the Internet: Yehwan Song
Review
By
Parker Ewen
|
Apr 26, 2025
Carolyn Lazard’s Simulated Reality
Review
By
Lili Rebeka Toth
|
Apr 25, 2025
Moments of Muscle Memory
Interview
By
Emma Fiona Jones
|
Apr 24, 2025
Review of vanessa german’s “GUMBALL”
Review
By
Abbas Malakar
|
Apr 23, 2025
Ramón Saturnino: “Aquí no es así”
Review
By
Lodoe Laura
|
Apr 22, 2025
Familiars Dance Among the Inverted
Review
By
Lydia Nobles
|
Apr 20, 2025
Sealed Spirits
Review
By
Theodora Bocanegra Lang
|
Apr 19, 2025
Review: While Being Plasmic Membranes
Review
By
Xuezhu Jenny Wang
|
Apr 18, 2025
Veils of Velvet: Decoding Lior Modan’s Reliefs
Review
By
Katya Borkov
|
Apr 14, 2025
Troy Montes Michie: “Black on the Face of the Moon”
Review
By
Abbas Malakar
|
Apr 13, 2025
A Thousand Kisses Deep: Joyce Wieland at MMFA
Review
By
A.E. Chapman
|
Apr 12, 2025
Archive and Absence: Ohan Breiding
Review
By
Katya Borkov
|
Apr 11, 2025
Coralina Rodriguez Meyer on Reclaiming Memory
Interview
By
Christina Elia
|
Apr 6, 2025
Review of Jacob Jackmauh: “Admissions”
Review
By
Qingyuan Deng
|
Apr 4, 2025
Terran Last Gun’s Eternal Ledger Drawings
Review
By
Maria Owen
|
Apr 3, 2025
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Review
By
Theodora Bocanegra Lang
|
Mar 29, 2025
When the Ghost Enters the Wood: In Conversation with Raul De Lara
Interview
By
Francisco Donoso
|
Mar 29, 2025
Object Lessons
Review
By
Matilda Lin Berke
|
Mar 28, 2025
Separating the Art from the Artist
Review
By
Corinne Worthington
|
Mar 25, 2025
Thiang Uk’s Contradictions in Harmony
Review
By
Maria Owen
|
Mar 23, 2025
Abstracting the Everyday
Review
By
Corinne Worthington
|
Mar 22, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
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By
Parker Ewen
|
Mar 21, 2025
Teresa Solar Abboud: “Tu sombra sustituida”
Review
By
Lodoe Laura
|
Mar 21, 2025
The Archive as a Starting Point
Interview
By
Montserrat Miranda Ayejes
|
Mar 6, 2025
Tim Brawner’s Strange Twist
Review
By
Lili Rebeka Toth
|
Feb 10, 2025
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