Solo Exhibition

Archive and Absence: Ohan Breiding

Coralina Rodriguez Meyer on Reclaiming Memory

Review of Jacob Jackmauh: “Admissions”

Terran Last Gun’s Eternal Ledger Drawings

Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”

When the Ghost Enters the Wood: In Conversation with Raul De Lara

Object Lessons

Separating the Art from the Artist

Thiang Uk’s Contradictions in Harmony

Abstracting the Everyday

Porcelain and Power: The Female Body in Jessica Stoller’s “Split”

Teresa Solar Abboud: “Tu sombra sustituida”

Tim Brawner’s Strange Twist

Irrational Physics

Anoushka Mirchandani: Between Worlds, Beneath Skin

“Small Talk” Eludes Legibility and Invites Infinite Encounters

“There is only one try”: An Interview With Hyun-Sook Song

JinJin Xu: “Against This Earth, She Knocks”

Tactile Oppositions in Linda Stark’s “Ethereal Material”

Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”

Peter McGough: “Alphabet”

Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”

Tim Noble’s “Happy Land” Incites Raw Subjectivity

Gabriela Salazar’s Diaristic “No Shoulder”

Marjorie Van Cura’s Lines of Resistance

Michael Wang Challenges Visions of a Nuclear Future

Christina Barrera’s “Revolutionary Festival”

Brianna Rose Brooks: Come Back As A Flower

Alejandra Seeber and the Freedom of Listening to the Creative Process