Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Solo Exhibition
Abstracting the Everyday
Review
By
Corinne Worthington
|
Mar 22, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
Review
By
Parker Ewen
|
Mar 21, 2025
Teresa Solar Abboud: “Tu sombra sustituida”
Review
By
Lodoe Laura
|
Mar 21, 2025
Tim Brawner’s Strange Twist
Review
By
Lili Rebeka Toth
|
Feb 10, 2025
Irrational Physics
Interview
By
Xuezhu Jenny Wang
|
Feb 7, 2025
Anoushka Mirchandani: Between Worlds, Beneath Skin
Interview
By
Shreya Ajmani
|
Jan 22, 2025
“Small Talk” Eludes Legibility and Invites Infinite Encounters
Review
By
Emma Fiona Jones
|
Jan 17, 2025
“There is only one try”: An Interview With Hyun-Sook Song
Interview
By
A.E. Chapman
|
Dec 22, 2024
JinJin Xu: “Against This Earth, She Knocks”
Review
By
Yuyang Rainne Zeng
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Dec 22, 2024
Tactile Oppositions in Linda Stark’s “Ethereal Material”
Review
By
Corinne Worthington
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Dec 21, 2024
Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”
Review
By
Aidan Chisholm
|
Dec 20, 2024
Peter McGough: “Alphabet”
Review
By
Alyssa Monte
|
Dec 14, 2024
Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”
Review
By
Cynthia Chen
|
Dec 9, 2024
Tim Noble’s “Happy Land” Incites Raw Subjectivity
Interview
By
Xuezhu Jenny Wang
|
Dec 5, 2024
Gabriela Salazar’s Diaristic “No Shoulder”
Review
By
Colette Bernheim
|
Nov 27, 2024
Marjorie Van Cura’s Lines of Resistance
Interview
By
Xuezhu Jenny Wang
|
Nov 14, 2024
Michael Wang Challenges Visions of a Nuclear Future
Review
By
Colleen Rodgers
|
Sep 6, 2024
Christina Barrera’s “Revolutionary Festival”
Review
By
Mariado Martínez Pérez
|
Aug 3, 2024
Brianna Rose Brooks: Come Back As A Flower
Review
By
Reg Zehner
|
Jul 9, 2024
Alejandra Seeber and the Freedom of Listening to the Creative Process
Interview
By
Mariado Martínez Pérez
|
Jul 5, 2024
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