Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
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Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun”
Interview
By
Xuezhu Jenny Wang
|
Nov 14, 2025
Identity as Process of Mutual Becoming
Interview
By
Sofía Festa
|
Jul 9, 2025
Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth
Review
By
Mike Dressel
|
Jun 15, 2025
Maria De Victoria on Artists and Mothers
Interview
By
Katya Borkov
|
May 8, 2025
Art at a Time Like This: “A Cycle of Renewing Energy”
Interview
By
Emma Thibodeaux-Thompson
|
Apr 7, 2025
The SoHo Underground
Review
By
Molly MacGilbert
|
Feb 23, 2025
Artifacts: Preserving the Stories of Underground Culture
Interview
By
Colleen Rodgers
|
Jan 14, 2025
Education as Justice: An Interview With Dr. Hasna Muhammad
Interview
By
Xuezhu Jenny Wang
|
Dec 4, 2024
Standout Booths at Art Toronto 2024
Review
By
Lodoe Laura
|
Oct 27, 2024
“Binary Equilibrium” Luxuriates in Polarity
Review
By
Zara Roy
|
Sep 12, 2024