Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Feminism
Reclaiming the Spell: Witchcraft at the Crypt Gallery
Review
By
Lily Sun
|
Jan 13, 2026
Process as Resistance: In Conversation with Mona Bozorgi
Interview
By
Samantha Jensen
|
Sep 26, 2025
Brand me Tender: “One in the Hand, Two in the Fold”
Review
By
Odeta Xheka
|
Aug 4, 2025
Zoé Blue M.: Girls Just Want to Play and Bathe
Review
By
Jacqueline Yu
|
May 31, 2025
Maria De Victoria on Artists and Mothers
Interview
By
Katya Borkov
|
May 8, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
Review
By
Parker Ewen
|
Mar 21, 2025
The SoHo Underground
Review
By
Molly MacGilbert
|
Feb 23, 2025
ILY2 Gallery Works from the Inside Out
Interview
By
Colleen Rodgers
|
Feb 23, 2025
Anina Major: “I could speak to one of many, or be one of many”
Interview
By
Xuezhu Jenny Wang
|
Jan 17, 2025
Skin Deep: An Interview With Lesley Bodzy
Interview
By
Xuezhu Jenny Wang
|
Jan 3, 2025
“Cult of Domesticity” at LUmkA
Review
By
Xuezhu Jenny Wang
|
Dec 29, 2024
Bandaged Moments: In Conversation with Xiaojing Zhu
Interview
By
Meinzer
|
Sep 22, 2024
A Close Look At Mariusz Warsinski's Nagababa Chair
Voice
By
Anna Carlson
|
Aug 14, 2024
Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body
Review
By
Colleen Rodgers
|
Aug 6, 2024
Being an “Art Monster”
Review
By
Theodora Bocanegra Lang
|
Jul 19, 2024