Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
Unsympathetic Clock: In Conversation with TJ Shin
October 2, 2026
Fiona Xintong Ye
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
Editorial Team
COLUMNS
editors' selects
face-to-face
affordable art fair collectors
October Happy Hour
@ BEVERLY'S
EVENTS
ABOUT
SUPPORT
Body
In Conversation with Mae Howard
Interview
By
Kerosene Jones
|
Sep 27, 2026
In Conversation with Iréne Norén
Interview
By
Mer Mora
|
May 28, 2026
Face to Face: April 2026
Interview
By
Editorial Team
|
Apr 30, 2026
Tethering the Earth: Roksana Pirouzmand
Review
By
Vinh Phu Pham
|
Mar 30, 2026
Forced to Flower
Review
By
Emma Fiona Jones
|
Jan 18, 2026
Theater of the Object
Review
By
Almog Cohen-Kashi
|
Jan 9, 2026
Art as Place: Chiharu Shiota’s “Two Home Countries”
Review
By
Joanna Seifter
|
Oct 24, 2025
Split Bodies, Unstable Flesh
Review
By
Lydia Nobles
|
Sep 9, 2025
Elena Redmond on Subverting Self-Portraiture
Interview
By
Christina Elia
|
May 15, 2025
Speculative Ecologies and Sacred Grief
Interview
By
Michelle Ruiz
|
May 3, 2025
Coralina Rodriguez Meyer on Reclaiming Memory
Interview
By
Christina Elia
|
Apr 6, 2025
Separating the Art from the Artist
Review
By
Corinne Worthington
|
Mar 25, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
Review
By
Parker Ewen
|
Mar 21, 2025
Dinner with ORLAN, a Feminist Icon
Interview
By
Anna Mikaela Ekstrand
|
Oct 12, 2024
Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies
Review
By
A.E. Chapman
|
Sep 26, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024