Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Body
Tethering the Earth: Roksana Pirouzmand
Review
By
Vinh Phu Pham
|
Mar 30, 2026
Forced to Flower
Review
By
Emma Fiona Jones
|
Jan 18, 2026
Theater of the Object
Review
By
Almog Cohen-Kashi
|
Jan 9, 2026
Art as Place: Chiharu Shiota’s “Two Home Countries”
Review
By
Joanna Seifter
|
Oct 24, 2025
Split Bodies, Unstable Flesh
Review
By
Lydia Nobles
|
Sep 9, 2025
Elena Redmond on Subverting Self-Portraiture
Interview
By
Christina Elia
|
May 15, 2025
Speculative Ecologies and Sacred Grief
Interview
By
Michelle Ruiz
|
May 3, 2025
Coralina Rodriguez Meyer on Reclaiming Memory
Interview
By
Christina Elia
|
Apr 6, 2025
Separating the Art from the Artist
Review
By
Corinne Worthington
|
Mar 25, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
Review
By
Parker Ewen
|
Mar 21, 2025
Dinner with ORLAN, a Feminist Icon
Interview
By
Anna Mikaela Ekstrand
|
Oct 12, 2024
Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies
Review
By
A.E. Chapman
|
Sep 26, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024