Eliza Douglas: "GHOSTS" at Gagosian
July 3, 2026
HJ Andrews
REVIEW
In Conversation with Mary Ellen Carroll
July 4, 2026
Rebecca Rose Cuomo
INTERVIEW
VOICE
Tear It Down and Start Again
May 28, 2026
Matilda Lin Berke
Editors' Selects: June 2026
June 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Slide Night @ THE BLANC
As Part of Work in Progress
EVENTS
ABOUT
Body
In Conversation with Iréne Norén
Interview
By
Mer Mora
|
May 28, 2026
Face to Face: April 2026
Interview
By
Editorial Team
|
Apr 30, 2026
Tethering the Earth: Roksana Pirouzmand
Review
By
Vinh Phu Pham
|
Mar 30, 2026
Forced to Flower
Review
By
Emma Fiona Jones
|
Jan 18, 2026
Theater of the Object
Review
By
Almog Cohen-Kashi
|
Jan 9, 2026
Art as Place: Chiharu Shiota’s “Two Home Countries”
Review
By
Joanna Seifter
|
Oct 24, 2025
Split Bodies, Unstable Flesh
Review
By
Lydia Nobles
|
Sep 9, 2025
Elena Redmond on Subverting Self-Portraiture
Interview
By
Christina Elia
|
May 15, 2025
Speculative Ecologies and Sacred Grief
Interview
By
Michelle Ruiz
|
May 3, 2025
Coralina Rodriguez Meyer on Reclaiming Memory
Interview
By
Christina Elia
|
Apr 6, 2025
Separating the Art from the Artist
Review
By
Corinne Worthington
|
Mar 25, 2025
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
Review
By
Parker Ewen
|
Mar 21, 2025
Dinner with ORLAN, a Feminist Icon
Interview
By
Anna Mikaela Ekstrand
|
Oct 12, 2024
Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies
Review
By
A.E. Chapman
|
Sep 26, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024