Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Art
Intimacy as Theoretical Framework at Iowa
Review
By
Theodora Bocanegra Lang
|
Nov 9, 2024
Naomi Nakazato Conjures Forgotten Futures at Olympia
Review
By
Emma Fiona Jones
|
Nov 7, 2024
The Salon by NADA x The Community
Review
By
Tahney Fosdike
|
Nov 4, 2024
Migration in Dialogue – Rubeen Salem
Interview
By
Anna Carlson
|
Nov 4, 2024
Lydia Nobles on Art, Activism, and Body Autonomy
Interview
By
Natasha Roberts
|
Nov 4, 2024
Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows
Review
By
Samantha Jensen
|
Oct 31, 2024
Are You Alone Right Now?
Review
By
Sterling Corum
|
Oct 29, 2024
Untangling Feeling: Kati Gegenheimer’s Passages
Review
By
Leah Triplett
|
Oct 29, 2024
Masculinity at War: Austin Alphonse’s Glorious Struggle
Interview
By
Qingyuan Deng
|
Oct 25, 2024
Sit and Stay Awhile at This Art Installation in Downtown Brooklyn
Voice
By
Amelia Langas
|
Oct 21, 2024
Growing Pains: Where Street Art and the Gallery Collide
Review
By
Meinzer
|
Oct 20, 2024
Thomas McDonell’s Aesthetic of Motion and Impermanence
Review
By
Xuezhu Jenny Wang
|
Oct 17, 2024
Dinner with ORLAN, a Feminist Icon
Interview
By
Anna Mikaela Ekstrand
|
Oct 12, 2024
Tina Girouard’s Enigmatic Symbols Await Interpretation
Review
By
Theodora Bocanegra Lang
|
Oct 11, 2024
NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter
Interview
By
Waltpaper
|
Oct 8, 2024
Nietzsche in a Downtown Supply Store
Review
By
Katia Vanlandingham
|
Oct 4, 2024
Stop and Smell a Garden of Roses
Interview
By
Sophie Steinberg
|
Sep 30, 2024
False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space
Interview
By
Francisco Donoso
|
Sep 30, 2024
Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses
Interview
By
Shreya Ajmani
|
Sep 30, 2024
Feast Your Eyes: “Artists and Recipes” at Marvin Gardens
Review
By
Sterling Corum
|
Sep 30, 2024
Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies
Review
By
A.E. Chapman
|
Sep 26, 2024
“The Outline of Her Words”: Where Myth Meets Memory
Review
By
Katya Borkov
|
Sep 24, 2024
Diminishing (Lost Hair Clogs Drain)
Review
By
Jacksun Bein
|
Sep 22, 2024
Motohiro Takeda’s Garden of Time
Review
By
Emma Thibodeaux-Thompson
|
Sep 22, 2024
“Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity
Interview
By
Jenna Putnam
|
Sep 19, 2024
Seoyoung Kim’s Site Centers Empathy and Connectivity
Interview
By
Xuezhu Jenny Wang
|
Sep 6, 2024
Imperfect Destinations – In Dialogue With Ruoyi Shi
Interview
By
Xuezhu Jenny Wang
|
Aug 30, 2024
Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories
Review
By
Kylia
|
Aug 27, 2024
To Leave More Than A Trace
Review
By
Xuezhu Jenny Wang
|
Aug 21, 2024
Ten Gates into the Future
Review
By
Gabriele Di Donfrancesco
|
Aug 11, 2024
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