Art

Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood

Natasha Roberts on Contemporary Art with Style and Substance

“No Longer Me”: Displacement Echoed in Steel and Sound

A Clown Walks into the Crowd

From Land to Cosmos: Turiya Adkins on Flight

Common Clauses in Artist Contracts: Red Flags and Necessities

Face to Face: April 2025

Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma

Editors’ Selects: March 2025

Tim Brawner’s Strange Twist

George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?”

MoMA PS1’s Installation Fights Stigma

Building Worlds at the Brooklyn Museum

Leah Ying Lin’s Ethereal Odyssey

Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted)

Skin Deep: An Interview With Lesley Bodzy

“Cult of Domesticity” at LUmkA

JinJin Xu: “Against This Earth, She Knocks”

Tactile Oppositions in Linda Stark’s “Ethereal Material”

The Twin Moons of Luna Luna Rise Over the Hudson

Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”

New Uncanny’s Haunting Reveries

Shiwen Wang: “The river returns nothing of what it takes”

Abject Feasts and Eucharistic Lovers at MAMA Projects

Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”

Education as Justice: An Interview With Dr. Hasna Muhammad

Francis Newton Souza “Straddles Several Traditions but Serves None”

Ephemeral Encounters

“I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward

The Bare Decadence of “Bad Girls”