Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
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Art
Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body
Review
By
Colleen Rodgers
|
Aug 6, 2024
The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca
Review
By
Xuezhu Jenny Wang
|
Aug 5, 2024
“Paper Cuts” at Elza Kayal Gallery
Review
By
Xuezhu Jenny Wang
|
Aug 3, 2024
Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library & Museum
Review
By
Jeff Tompkins
|
Aug 2, 2024
Nicole Havekost: A Material Artist in a Material World
Interview
By
Sanaphay Rattanavong
|
Jul 23, 2024
Gender, Nation, and Photography
Review
By
Waltpaper
|
Jun 26, 2024
People, Objects, Places: My Story as an Immigrant in Art Law
Voice
By
Atreya Mathur
|
Jun 21, 2024
A Celebration of Being and Balance
Review
By
Taeyoon Kim
|
Jun 23, 2024
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