Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Memory
In Conversation with Anjali Kasturi
Interview
By
Shreya Ajmani
|
Feb 2, 2026
Dancing Outside Time
Review
By
Asia Stewart
|
Dec 15, 2025
Lost Memories and Relics of Urban Living
Review
By
Sehrish Alikhan
|
Sep 13, 2025
The Land and Its Shadow
Review
By
Marcus Civin
|
May 1, 2025
Veils of Velvet: Decoding Lior Modan’s Reliefs
Review
By
Katya Borkov
|
Apr 14, 2025
Terran Last Gun’s Eternal Ledger Drawings
Review
By
Maria Owen
|
Apr 3, 2025
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Review
By
Theodora Bocanegra Lang
|
Mar 29, 2025
Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple”
Review
By
Aidan Chisholm
|
Jan 18, 2025
Ishbel Myerscough’s Meditations on Time
Interview
By
Qingyuan Deng
|
Dec 20, 2024
“How can one remember thirst?”: An Interview With Xi Li
Interview
By
Zara Roy
|
Oct 24, 2024
Brianna Rose Brooks: Come Back As A Flower
Review
By
Reg Zehner
|
Jul 9, 2024