Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Exhibition
Memory as Medium: A Conversation with Dominique Fung
Interview
By
Shreya Ajmani
|
Apr 17, 2025
Something Like
Review
By
Robin Waart
|
Apr 13, 2025
Review of Jacob Jackmauh: “Admissions”
Review
By
Qingyuan Deng
|
Apr 4, 2025
Tavares Strachan’s Energetic Interrogations
Review
By
Emma Thibodeaux-Thompson
|
Mar 31, 2025
Le’Andra LeSeur and the Eternal Ephemerality of Suspension
Review
By
C.C. McKee
|
Mar 25, 2025
An Interview with Sámi Artist Anders Sunna
Interview
By
Xuezhu Jenny Wang
|
Mar 24, 2025
Images Across the Veil: Tyler Mitchell
Review
By
Corinne Worthington
|
Mar 24, 2025
Shifting /\ Gazes Defines Space
Review
By
Katya Borkov
|
Mar 15, 2025
The Archive as a Starting Point
Interview
By
Montserrat Miranda Ayejes
|
Mar 6, 2025
Powerhouses
Interview
By
Leah Amel Hornsby
|
Feb 28, 2025
Who is the hunter, who is the prey?
Review
By
Lili Rebeka Toth
|
Feb 26, 2025
Two Tales of a City
Review
By
Corinne Worthington
|
Feb 20, 2025
Pictures of Faces: A Conversation with Na Kim
Interview
By
Marcus Civin
|
Feb 19, 2025
Anagrams of Desire
Review
By
Robin Waart
|
Feb 7, 2025
George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?”
Review
By
J. Scott Orr
|
Feb 5, 2025
Hey! We Can Do It!
Review
By
Xuezhu Jenny Wang
|
Jan 28, 2025
Flux and Flow at El Museo del Barrio
Review
By
Sterling Corum
|
Jan 6, 2025
The Twin Moons of Luna Luna Rise Over the Hudson
Review
By
Mike Dressel
|
Dec 20, 2024
New Uncanny’s Haunting Reveries
Review
By
Xuezhu Jenny Wang
|
Dec 19, 2024
Shiwen Wang: “The river returns nothing of what it takes”
Interview
By
Qingyuan Deng
|
Dec 12, 2024
Francis Newton Souza “Straddles Several Traditions but Serves None”
Review
By
Meinzer
|
Nov 29, 2024
Misha Ilin’s Fossilized Fragments, Surreal and Shimmering
Review
By
Nina Oleynik
|
Nov 27, 2024
The Bare Decadence of “Bad Girls”
Review
By
Emma Fiona Jones
|
Nov 16, 2024
“Harmony and Dissonance” Opens at the Guggenheim Museum
Review
By
Emma Thibodeaux-Thompson
|
Nov 12, 2024
Naomi Nakazato Conjures Forgotten Futures at Olympia
Review
By
Emma Fiona Jones
|
Nov 7, 2024
From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape
Interview
By
Montserrat Miranda Ayejes
|
Nov 5, 2024
Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows
Review
By
Samantha Jensen
|
Oct 31, 2024
Are You Alone Right Now?
Review
By
Sterling Corum
|
Oct 29, 2024
Dinner with ORLAN, a Feminist Icon
Interview
By
Anna Mikaela Ekstrand
|
Oct 12, 2024
Tina Girouard’s Enigmatic Symbols Await Interpretation
Review
By
Theodora Bocanegra Lang
|
Oct 11, 2024
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