Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
Unsympathetic Clock: In Conversation with TJ Shin
October 2, 2026
Fiona Xintong Ye
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
Editorial Team
COLUMNS
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affordable art fair collectors
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Video
Art as Place: Chiharu Shiota’s “Two Home Countries”
Review
By
Joanna Seifter
|
Oct 24, 2025
Amiko Li’s Ouroboros of Motion and Stillness
Review
By
Jiayin Flora Song
|
Oct 21, 2025
Computer Dreams: On Information and Images
Review
By
Justin Kamp
|
Aug 5, 2025
The Anti-Image in the Age of Visual Noise
Review
By
Natasha Chuk
|
Jul 25, 2025
Editors’ Selects: July 2025
Review
By
Editorial Team
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Jul 22, 2025
Editors’ Selects: June 2025
Review
By
Editorial Team
|
Jun 16, 2025
HELLO ETERNAL LOVING PRESENCE
Review
By
Clare Gemima
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Jun 10, 2025
Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk
Review
By
Yonatan Eshban-Laderman
|
May 27, 2025
Double Vision
Review
By
Meinzer
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Apr 15, 2025
Claudia Hart’s Rhythms of Deferral and Renewal
Review
By
Natasha Chuk
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May 13, 2025
From Surfing to Sinking in the Internet: Yehwan Song
Review
By
Parker Ewen
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Apr 26, 2025
Carolyn Lazard’s Simulated Reality
Review
By
Lili Rebeka Toth
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Apr 25, 2025
Coralina Rodriguez Meyer on Reclaiming Memory
Interview
By
Christina Elia
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Apr 6, 2025
Beyond the Loop: “Strata” Simulates the Infinite
Interview
By
Xuezhu Jenny Wang
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Apr 3, 2025
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Review
By
Theodora Bocanegra Lang
|
Mar 29, 2025
My Flight Was Magnificent, but Futile
Review
By
Amanda SRGE_Lindsay
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Mar 21, 2025
Ephemeral Encounters
Interview
By
Xuezhu Jenny Wang
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Nov 21, 2024
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