Review

Review: While Being Plasmic Membranes

Something Like

A Thousand Kisses Deep: Joyce Wieland at MMFA

Review of Jacob Jackmauh: “Admissions”

Tavares Strachan’s Energetic Interrogations

Review: Chronicles of the Absurd

Object Lessons

Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma

Le’Andra LeSeur and the Eternal Ephemerality of Suspension

Images Across the Veil: Tyler Mitchell

Teresa Solar Abboud: “Tu sombra sustituida”

Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline”

Editors’ Selects: March 2025

Shifting /\ Gazes Defines Space

Review of Anne Imhof’s “DOOM: House of Hope”

Stripping Down to Our Hair at 601Artspace

Amazons. The Ancestral Future

Who is the hunter, who is the prey?

Two Tales of a City

Tim Brawner’s Strange Twist

Anagrams of Desire

Book Review: “The Lives of the Artists”

Hey! We Can Do It!

Yolanda Yang Scratches Deep Below the Surface of Grief and Art

Building Worlds at the Brooklyn Museum

“Small Talk” Eludes Legibility and Invites Infinite Encounters

60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle

Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted)

Flux and Flow at El Museo del Barrio

“Cult of Domesticity” at LUmkA