Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Painting
Global Dialogue – Azadeh Nia
Interview
By
Felicity Wong
|
Nov 11, 2024
Yongqi Tang’s Visceral Paintings of Violence and Healing
Interview
By
Clare Gemima
|
Nov 10, 2024
Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows
Review
By
Samantha Jensen
|
Oct 31, 2024
Untangling Feeling: Kati Gegenheimer’s Passages
Review
By
Leah Triplett
|
Oct 29, 2024
Braiding a Future in Art with Paree Rohera
Interview
By
Shreya Ajmani
|
Oct 23, 2024
Thomas McDonell’s Aesthetic of Motion and Impermanence
Review
By
Xuezhu Jenny Wang
|
Oct 17, 2024
The Art of Resilience: In Conversation with Artist Kuldeep Singh
Interview
By
Shreya Ajmani
|
Oct 15, 2024
Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses
Interview
By
Shreya Ajmani
|
Sep 30, 2024
Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories
Review
By
Kylia
|
Aug 27, 2024
To Leave More Than A Trace
Review
By
Xuezhu Jenny Wang
|
Aug 21, 2024
Image, Object, and Compression with Asher Liftin
Interview
By
Parker Ewen
|
Aug 13, 2024
Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority
Review
By
Katia Vanlandingham
|
Aug 12, 2024
Internal Reflections – Yuri Yuan
Interview
By
Xuezhu Jenny Wang
|
Aug 7, 2024
Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body
Review
By
Colleen Rodgers
|
Aug 6, 2024
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