Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Group Show
FLOHAUS Gallery Unveils New Space in Midtown
Review
By
Colleen Dalusong
|
Mar 25, 2026
In Brackish Conditions: A Refusal of Refinement
Review
By
Kimberlean Donis
|
Feb 17, 2026
Computer Dreams: On Information and Images
Review
By
Justin Kamp
|
Aug 5, 2025
“002 Fusion”: A Jest in Three Acts
Review
By
Vinh Phu Pham
|
Jun 24, 2025
Shifting /\ Gazes Defines Space
Review
By
Katya Borkov
|
Mar 15, 2025
The Contemporary Scope: A Painting Show at Alexander Berggruen
Review
By
Katia Vanlandingham
|
Mar 14, 2025
Visual Lineages
Review
By
Sterling Corum
|
Mar 13, 2025
Stripping Down to Our Hair at 601Artspace
Review
By
Amanda SRGE_Lindsay
|
Mar 4, 2025
Powerhouses
Interview
By
Leah Amel Hornsby
|
Feb 28, 2025
Building Worlds at the Brooklyn Museum
Review
By
Theodora Bocanegra Lang
|
Jan 20, 2025
Flux and Flow at El Museo del Barrio
Review
By
Sterling Corum
|
Jan 6, 2025
New Uncanny’s Haunting Reveries
Review
By
Xuezhu Jenny Wang
|
Dec 19, 2024
Abject Feasts and Eucharistic Lovers at MAMA Projects
Review
By
Emma Fiona Jones
|
Dec 11, 2024
From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape
Interview
By
Montserrat Miranda Ayejes
|
Nov 5, 2024
Nietzsche in a Downtown Supply Store
Review
By
Katia Vanlandingham
|
Oct 4, 2024
“Paper Cuts” at Elza Kayal Gallery
Review
By
Xuezhu Jenny Wang
|
Aug 3, 2024