Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Exhibition Review
BBBBBBBRYAN: Anti-Language, Anti-Painting
Review
By
Terra Keck
|
Jun 14, 2025
The Contemporary Scope: A Painting Show at Alexander Berggruen
Review
By
Katia Vanlandingham
|
Mar 14, 2025
Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple”
Review
By
Aidan Chisholm
|
Jan 18, 2025
JinJin Xu: “Against This Earth, She Knocks”
Review
By
Yuyang Rainne Zeng
|
Dec 22, 2024
Tactile Oppositions in Linda Stark’s “Ethereal Material”
Review
By
Corinne Worthington
|
Dec 21, 2024
Abject Feasts and Eucharistic Lovers at MAMA Projects
Review
By
Emma Fiona Jones
|
Dec 11, 2024
Intimacy as Theoretical Framework at Iowa
Review
By
Theodora Bocanegra Lang
|
Nov 9, 2024
Untangling Feeling: Kati Gegenheimer’s Passages
Review
By
Leah Triplett
|
Oct 29, 2024
Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves
Review
By
Colette Bernheim
|
Oct 10, 2024
Michael Wang Challenges Visions of a Nuclear Future
Review
By
Colleen Rodgers
|
Sep 6, 2024
Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories
Review
By
Kylia
|
Aug 27, 2024
Messages in Flight: “Function–Fiction” at GOBI
Review
By
Lisa Kwon
|
Jul 28, 2024