Tim Kent: “Sojourn” at Hollis Taggart
October 3, 2026
Vinh Phu Pham
REVIEW
Unsympathetic Clock: In Conversation with TJ Shin
October 2, 2026
Fiona Xintong Ye
INTERVIEW
VOICE
To Touch the Sky: The Drone in Contemporary Performance
October 2, 2026
Anna Cahn
Editors' Selects: September 2026
September 20, 2026
Editorial Team
COLUMNS
editors' selects
face-to-face
affordable art fair collectors
October Happy Hour
@ BEVERLY'S
EVENTS
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Contemporary
Mexico City Art Week 2026
Review
By
Lodoe Laura
|
Feb 8, 2026
On Organization and Collaboration at EVA
Interview
By
Leah Triplett
|
Oct 8, 2025
Editors’ Selects: March 2025
Review
By
Editorial Team
|
Mar 18, 2025
The Contemporary Scope: A Painting Show at Alexander Berggruen
Review
By
Katia Vanlandingham
|
Mar 14, 2025
Tim Brawner’s Strange Twist
Review
By
Lili Rebeka Toth
|
Feb 10, 2025
Building Worlds at the Brooklyn Museum
Review
By
Theodora Bocanegra Lang
|
Jan 20, 2025
“Cult of Domesticity” at LUmkA
Review
By
Xuezhu Jenny Wang
|
Dec 29, 2024
The Party’s in the Back
Review
By
Waltpaper
|
Sep 13, 2024
“Binary Equilibrium” Luxuriates in Polarity
Review
By
Zara Roy
|
Sep 12, 2024
Seoyoung Kim’s Site Centers Empathy and Connectivity
Interview
By
Xuezhu Jenny Wang
|
Sep 6, 2024
The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca
Review
By
Xuezhu Jenny Wang
|
Aug 5, 2024
“Paper Cuts” at Elza Kayal Gallery
Review
By
Xuezhu Jenny Wang
|
Aug 3, 2024
Curatorial Deviations
Review
By
Meinzer
|
Aug 2, 2024
Basement Secrets: Cinema Supply’s “Lost and Found”
Review
By
Katia Vanlandingham
|
Jul 6, 2024
A Celebration of Being and Balance
Review
By
Taeyoon Kim
|
Jun 23, 2024