Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”
April 3, 2026
Natasha Chuk
REVIEW
“On Other Terms”: In Conversation with Jaejoon Jang and Pap Souleye Fall
April 5, 2026
Connor Sen Warnick
INTERVIEW
VOICE
I See Something in the Sky
February 23, 2026
Will Heinrich
Editors’ Selects: March 2026
March 15, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
Marked Land
IMPULSE Forum @ GRIMM
EVENTS
ABOUT
Contemporary
Mexico City Art Week 2026
Review
By
Lodoe Laura
|
Feb 8, 2026
On Organization and Collaboration at EVA
Interview
By
Leah Triplett
|
Oct 8, 2025
Editors’ Selects: March 2025
Review
By
Editorial Team
|
Mar 18, 2025
The Contemporary Scope: A Painting Show at Alexander Berggruen
Review
By
Katia Vanlandingham
|
Mar 14, 2025
Tim Brawner’s Strange Twist
Review
By
Lili Rebeka Toth
|
Feb 10, 2025
Building Worlds at the Brooklyn Museum
Review
By
Theodora Bocanegra Lang
|
Jan 20, 2025
“Cult of Domesticity” at LUmkA
Review
By
Xuezhu Jenny Wang
|
Dec 29, 2024
The Party’s in the Back
Review
By
Waltpaper
|
Sep 13, 2024
“Binary Equilibrium” Luxuriates in Polarity
Review
By
Zara Roy
|
Sep 12, 2024
Seoyoung Kim’s Site Centers Empathy and Connectivity
Interview
By
Xuezhu Jenny Wang
|
Sep 6, 2024
The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca
Review
By
Xuezhu Jenny Wang
|
Aug 5, 2024
“Paper Cuts” at Elza Kayal Gallery
Review
By
Xuezhu Jenny Wang
|
Aug 3, 2024
Curatorial Deviations
Review
By
Meinzer
|
Aug 2, 2024
Basement Secrets: Cinema Supply’s “Lost and Found”
Review
By
Katia Vanlandingham
|
Jul 6, 2024
A Celebration of Being and Balance
Review
By
Taeyoon Kim
|
Jun 23, 2024