"Apple Face": The Push and Pull of Surrealism at Mriya Gallery
May 19, 2026
Liam Otero
REVIEW
Inside New York’s Rogue Project Spaces
May 11, 2026
Jesse Firestone
INTERVIEW
VOICE
To Reach the Moon
April 29, 2026
Will Heinrich
Editors' Selects: May 2026
May 16, 2026
Editorial Team
COLUMNs
editors' selects
face-to-face
affordable art fair collectors
The Shapes of Painting
Artist Talk @ Independent
EVENTS
ABOUT
Contemporary
Mexico City Art Week 2026
Review
By
Lodoe Laura
|
Feb 8, 2026
On Organization and Collaboration at EVA
Interview
By
Leah Triplett
|
Oct 8, 2025
Editors’ Selects: March 2025
Review
By
Editorial Team
|
Mar 18, 2025
The Contemporary Scope: A Painting Show at Alexander Berggruen
Review
By
Katia Vanlandingham
|
Mar 14, 2025
Tim Brawner’s Strange Twist
Review
By
Lili Rebeka Toth
|
Feb 10, 2025
Building Worlds at the Brooklyn Museum
Review
By
Theodora Bocanegra Lang
|
Jan 20, 2025
“Cult of Domesticity” at LUmkA
Review
By
Xuezhu Jenny Wang
|
Dec 29, 2024
The Party’s in the Back
Review
By
Waltpaper
|
Sep 13, 2024
“Binary Equilibrium” Luxuriates in Polarity
Review
By
Zara Roy
|
Sep 12, 2024
Seoyoung Kim’s Site Centers Empathy and Connectivity
Interview
By
Xuezhu Jenny Wang
|
Sep 6, 2024
The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca
Review
By
Xuezhu Jenny Wang
|
Aug 5, 2024
“Paper Cuts” at Elza Kayal Gallery
Review
By
Xuezhu Jenny Wang
|
Aug 3, 2024
Curatorial Deviations
Review
By
Meinzer
|
Aug 2, 2024
Basement Secrets: Cinema Supply’s “Lost and Found”
Review
By
Katia Vanlandingham
|
Jul 6, 2024
A Celebration of Being and Balance
Review
By
Taeyoon Kim
|
Jun 23, 2024